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Renée Fleming profile
Renée FlemingVioletta Valéry
Rolando Villazón profile
Rolando VillazónAlfredo Germont
Renato Bruson profile
Renato BrusonGiorgio Germont
James Conlon profile
James ConlonConductor
Giuseppe Verdi profile
Giuseppe VerdiOriginal Music Composer
Alexandre Dumas fils profile
Alexandre Dumas filsNovel
Brian Large profile
Brian LargeDirector
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Center Stage: Turn It Up
⭐ 6.9
Center Stage: Turn It Up2008
Coyote Ugly
⭐ 6.3
Coyote Ugly2000
Pure Country 2: The Gift
⭐ 6.7
Pure Country 2: The Gift2010
Ruth & Boaz
⭐ 7.5
Ruth & Boaz2025
The Jazz Singer
💫 5.9
The Jazz Singer1980
Love in Taipei
⭐ 6.7
Love in Taipei2023
Fire with Fire
⭐ 6.2
Fire with Fire1986
Cosi
⭐ 6.1
Cosi1996
Grace of My Heart
⭐ 6.1
Grace of My Heart1996
Young at Heart
⭐ 6.0
Young at Heart1954
Father of the Bride
⭐ 6.4
Father of the Bride2022
Departure
⭐ 6.4
Departure2016
The Life List
⭐ 7.0
The Life List2025
Chéri
⭐ 6.1
Chéri2009
The High Note
⭐ 7.0
The High Note2020
Diva Futura
⭐ 6.5
Diva Futura2025
Madame
💫 5.9
Madame2017
Endless Love
⭐ 6.9
Endless Love2014
(Untitled)
⭐ 6.4
(Untitled)2009
Birth
⭐ 6.0
Birth2004
Puccini: Turandot
💫 5.5
Puccini: Turandot2009
Farinelli
⭐ 6.6
Farinelli1994
Phantom of the Opera
⭐ 6.2
Phantom of the Opera1943
Hannah and Her Sisters
⭐ 7.5
Hannah and Her Sisters1986
Die Walküre
🌟 8.1
Die Walküre1990
Siegfried
🌟 7.5
Siegfried1990
The Prompter
⭐ 6.8
The Prompter1999
The Met — Il Trovatore
🌟 8.0
The Met — Il Trovatore2015
Release
01/01/2006
Rating
🌟 8.0/10
Runtime
144 min
Status
Released
Genres
RomanceMusicDrama
Languages
Italian
Production
Decca
Links
IMDb
Poster

La Traviata

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

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