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Champs
⭐ 6.6
Champs2015
Night Will Fall
🌟 7.6
Night Will Fall2014
Avatar: The Deep Dive - A Special Edition of 20/20
⭐ 7.2
Avatar: The Deep Dive - A Special Edition of 20/202022
Anna Nicole Smith: You Don't Know Me
⭐ 6.0
Anna Nicole Smith: You Don't Know Me2023
Marvel Studios Assembled: The Making of Hawkeye
⭐ 7.1
Marvel Studios Assembled: The Making of Hawkeye2022
Father Soldier Son
⭐ 6.5
Father Soldier Son2020
City of Ghosts
⭐ 7.2
City of Ghosts2017
My Mom Jayne
🌟 8.0
My Mom Jayne2025
2000 Meters to Andriivka
🌟 8.2
2000 Meters to Andriivka2025
Listen to Me Marlon
🌟 7.5
Listen to Me Marlon2015
John Candy: I Like Me
🌟 7.9
John Candy: I Like Me2025
Downloaded
⭐ 6.5
Downloaded2013
Being James Bond
🌟 7.8
Being James Bond2021
Directed by John Ford
⭐ 6.9
Directed by John Ford1971
Harmontown
⭐ 6.6
Harmontown2014
Wormwood
⭐ 6.9
Wormwood2017
The Class of ‘92
⭐ 7.1
The Class of ‘922013
Love, Marilyn
⭐ 6.6
Love, Marilyn2013
Cirque du Soleil: LoveSick
💫 5.2
Cirque du Soleil: LoveSick2008
Billy the Kid
⭐ 6.3
Billy the Kid2007
Tom Waits: Big Time
⭐ 7.3
Tom Waits: Big Time1988
Manufactured Landscapes
⭐ 7.2
Manufactured Landscapes2006
Sir! No Sir!
⭐ 6.7
Sir! No Sir!2005
Flag Wars
💫 4.1
Flag Wars2003
Outrage
⭐ 6.1
Outrage2009
Standing in the Shadows of Motown
⭐ 6.9
Standing in the Shadows of Motown2002
Nightmares in Red, White and Blue
⭐ 6.6
Nightmares in Red, White and Blue2009
Fados
⭐ 7.0
Fados2007
Release
11/03/2005
Rating
⭐ 6.5/10
Runtime
74 min
Status
Released
Genres
Documentary
Languages
Spanish
Links
IMDb
Poster

No tan nuestras

The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.

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