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Short on plot but long on atmospherics, Pálmason's film reveals itself as a deeply considered and profound statement about the slippery nature of masculinity, loneliness, anger and the human capacity for love.
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It seems to me that A White, Whirte Day was trying to be an artsy Indie type film and, if I am right, I think they aimed too low. The way the camera sometimes lingers on a still life scene, the times when it feels like they are using symbolism, such as when we watch a r...
This is what happens when Icelandic movie maker, familiar with Kurasawa, has channeled Shakespeare in his dreams - an unbearably long art-house film. Salka (Ída Mekkín Hlynsdóttir) was great in this.
