
Gratuitous hyper violence eye candy!
Carter (or rather: Kato)
tries to present itself as a one-shot-film, but it is not quite the Korean Hardcore Henry. There is little effort hiding the supposedly invisible cuts, of which there are many. The ever-flying shaky camera drone is busy, as are the very ded...
For me, Carter feels like a Hardcore Henry re-mix, with a Korean flavour.
This is run and gun, beat em, cut em up, style of film, with a video game vibe. It worked with Hardcore Henry but somehow this one just doesn't quite pull it off.
I think part of the reason...