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After hitting it off with a local musician, a woman finds herself in a crappy situation — literally.
The passionate but dangerous relationship between actress Alison and glamour crook Quinten. Their love goes so far that Alison provides her lover with an alibi when he is suspected of murdering his father. But Quinten also goes to great lengths for her and goes after her manager when it turns out that he has run off with her wages. However, this confrontation proves fatal for Quinten on the eve of the premiere of Alison's show.
Feature film about Kirill Tolmatsky (Detsl)
Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.
Bank Zadeha depicts the adventures of several bank robbers and the differences between them
A Spanish singer, known as "El Ángel", owner of a nightclub, lives a double life as an expert in alarms for gangs of thieves. In his last robbery, he betrays his partners, and his lover is kidnapped and he is blackmailed. Thinking that she has betrayed him, he abandons her to her fate. Finally, she committed suicide. El Ángel reconsiders his life and decides to become a monk. But his former life will meet him within the walls of the monastery.
Nobleman Boris Godunov accumulates power in Russia, first as regent, then as tsar. But the ghosts of the past catch up with him and he ends up losing not only his power but his sanity. Russia sinks ever deeper into a mire of corruption, intrigue and coups. In his grand choral opera, Modest Mussorgsky deals with a theme that offers poignant parallels to today’s world: the extremes to which one man’s thirst for power can lead. The director Kirill Serebrennikov incorporates his own experiences in Russia to present his take on an opera about political turmoil and its consequences. Serebrennikov’s production focuses on the effect on the people of high-stakes political scheming. Conductor Vasily Petrenko makes his Amsterdam debut leading the Royal Concertgebouw Orchestra. A top-flight cast is led bass-baritone Tomasz Konieczny, celebrated for his ability to get into the skin of his characters both vocally and dramatically, singing the title role for the first time.