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After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.
A Night Out with the Backstreet Boys is a romantic, heartfelt, and intimate live performance recorded in Germany in 1998. An introduction with members Kevin Richardson and Howie Dorough explains that the Boys have always wanted to perform for their fans and themselves in an acoustic concert. Much like the well-known MTV Unplugged series, the Backstreet Boys perform with a full orchestra and a small choir for background vocals. There is no choreography, they do mostly ballads and mid-tempo songs, and most of the time they casually sit on bar stools. The group is exposed musically, providing the opportunity to show their fans and their critics that the Backstreet Boys "really do have talent."
The Ecstasy of Gold / Battery / Master of Puppets / Welcome Home (Sanitarium) / Ride the Lightning / The Unforgiven / Creeping Death / Lords of Summer / Sad but True / Fade to Black / Fuel / One / For Whom the Bell Tolls / Whiskey in the Jar / Nothing Else Matters / Enter Sandman / St. Anger / ...And Justice for All / Seek & Destroy
Songs and games with Sigga and Maria
A natural study on the motorcycles fauna in São Paulo at the beginning of Covid19 pandemic. Filmed in the early fall 2020, this is Claudio Szynkier's first formal experience with cinema, music and the city. The film is a short musical effort, developed and improvised along a post-quarantine afternoon ride.