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A documentary tributing a popular basment venue in the Long Island area called, "Unscene".
Pakistani version of the popular Urdu novel about a tawaif and poet from 19th-century Lucknow.
"From his career debut within the ONJ (french National Jazz Orchestra) to his duet GRAND BAZAR with Eve Risser, Antonin-Tri Hoang's music is reminiscent of the late Ornette Coleman, with its fluid lyricism and a similar taste for controlled skidding. Commissioned by Banlieues Bleues, APPARITIONS - ORNETTE aims at summoning the spirit of the free jazz godfather. Antonin-Tri Hoang offers dreams, wanderings, evocative bridges. Not a revival, but a survival. His NOVEMBRE quartet, joined by its many guests, masters the art of zapping and collage between eras and references. The film is the story of this creation and of these apparitions."
-- Passion - José and Carmen -- Based on motifs in Mérimée's original work "Carmen," Don José is destined to be at the mercy of Carmen. His attraction to her passion is portrayed in this musical work. -- Apasionado!! III -- Apasionado in Spanish means "hot" or "the passion of man." To the theme of "heat," its various forms are incorporated into this revue, such as in hot rhythms, heated emotions, burning love, and the flames of jealousy. People will gamble their lives in the name of passion. It was performed by Moon Troupe in 2008, led by Sena Jun and in 2009 by Oozora Yuuhi of Cosmos Troupe. A staged piece overflowing with adult atmosphere, a brush-up will be delivered.
Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.
An infinite of unexpected connections is breaking everyday life. A meteorite, fleeting and burning, crosses the immeasurable city. It explodes in the intimacy of a skyscraper, and it explodes in their body which takes to dancing as a vital impulse. There is nothing more intimate and universal as dancing alone with music.
The staging of Béla Bartók's opera Bluebeard's Castle at Opera national de Paris, a collaboration of La Fura dels Baus and Jaume Plensa.