Elli

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

Nodame Cantabile: The Movie II

Nodame and Chiaki mutually decide that it would be for the best if they parted ways for a while so Nodame can practice for an upcoming competition. However, when things don’t go her way, she gets impatient and depressed. While Nodame is away, Chiaki’s former pianist Rui Son returns to take her place. To make matters worse, Rui and Chiaki are set to play the song Nodame dreams of playing with Chiaki herself: Ravel’s “Concerto in G Minor”.

Rockers

Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.

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A Grande Vedete

Madame Janete is an aging music hall star who insists on doing roles far beneath her real age, and whose secretary keeps her fans in a payroll. One day she meets young author Paulo and falls for him; but he is in love and engaged to ballerina Vilma, and misunderstandings abound.

The Tars

After serving in the Royal Navy, Manus, Toon and Dries return to Amsterdam working-class quarter 'the Jordaan'. Back home, they find out things have changed while they were gone; Manus's girl Jans has been unfaithful to him, Toon's father now rejects him on account of his dissolute life and barmaid Auntie Piet has been cooking up a scheme to ruin Dries' relationship with his girl Greet.

Juansebastián

Swinguerra

In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.

Adelic Penguins

Originally commissioned by the Sony Corporation of Japan and performed live on the JumboTRON, a fourteen-story TV set at the Expo in Tsukuba, Japan, Adelic Penguins is a collaboration between Fitzgerald, artist Paul Garrin, and composer Ryuichi Sakamoto (who also appears as a performer). Structured in six segments, this technical tour-de-force is a pyrotechnic fusion of sound and image, in which the dynamic visual imagery fully complements and heightens Sakamoto's staccato, percussive score. Fitzgerald and Garrin merge terrestrial and interplanetary worlds, in which Sakamoto's figure becomes an integral part of the landscape. Set aloft in the surreal world of the artists' invention, Sakamoto dances, floats and walks through a hyperkinetic universe.

We're So Young

The life of Renato Russo, from his first involvement with music, to his years in the punk rock band Aborto Alétrico, to the formation of Legião Urbana, in the Brasília rock scene of 1970s and 1980s.

On a String

A young, Juilliard-trained violist is still living at home with her parents in the heart of NYC, while trying to make a living playing gigs with her friends in the homes of strangers.