
Tony Ferrino performs in a programme dedicated to his brilliant career as the Eurovision star from Portugal performs music and dance numbers with special guests.

Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994.

A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.

Chronicles the fascinating and often turbulent life of Townes Van Zandt.

Walter and Paola, presenter and godmother of the sixth Cantagiro, are involved in a misunderstanding: to dismiss a suitor, the presenter pretends to be married to Quattrini.

Supported by Bad Company's major hit tracks, this candid film celebrates rock's hottest anthems in the company of the group's remaining three members: Paul Rodgers, Simon Kirke and Mick Ralphs, alongside contemporaries Brian May, Zoot Money, Sam Moore, Joe Elliott, Jason Bonham and many more.

During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.

Adaptation of a lesser known to Western world, yet wildly popular Peking Opera developed during the Cultural Revolution under the leadership of Jiang Qing.
![Simon Boccanegra [The Metropolitan Opera] backdrop](/_next/image?url=https%3A%2F%2Fimage.tmdb.org%2Ft%2Fp%2Foriginal%2F6orWOKTrvjlRo8RdidaI8AOMzHM.jpg&w=1920&q=75)
When this sumptuous production by Giancarlo del Monaco opened in 1995, legendary tenor Plácido Domingo gave a riveting performance as the fiery revolutionary Gabriele Adorno, a tenor part. In the 2010 revival, he made history by taking on the baritone title role, one of Verdi’s most fascinating characters, and thrilling audiences with his multifaceted and gripping portrayal. Boccanegra is beset on all sides, juggling political adversaries bent on murder with his love for his long-lost daughter Amelia (Adrianne Pieczonka). James Levine’s conducting brings out all the color and surging emotion of Verdi’s magnificent score.