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Nobleman Boris Godunov accumulates power in Russia, first as regent, then as tsar. But the ghosts of the past catch up with him and he ends up losing not only his power but his sanity. Russia sinks ever deeper into a mire of corruption, intrigue and coups. In his grand choral opera, Modest Mussorgsky deals with a theme that offers poignant parallels to today’s world: the extremes to which one man’s thirst for power can lead. The director Kirill Serebrennikov incorporates his own experiences in Russia to present his take on an opera about political turmoil and its consequences. Serebrennikov’s production focuses on the effect on the people of high-stakes political scheming. Conductor Vasily Petrenko makes his Amsterdam debut leading the Royal Concertgebouw Orchestra. A top-flight cast is led bass-baritone Tomasz Konieczny, celebrated for his ability to get into the skin of his characters both vocally and dramatically, singing the title role for the first time.
JKB, a talented Carnatic musician, struggles to connect with his wife, who cannot conceive a child. When he meets Sindhu, a music teacher, he finally finds his muse.
A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia
Student Gábor and cigarette-smoking student Mujkó sneak into the Buda rose garden of baba Gül and fall in love with Leila, the daughter of baba Gül, who is bathing there and is destined to be the 33rd wife of Ali Basa. The guard captures the student and death awaits him and his companions.
Internationally acclaimed American soprano Renee Fleming and British actress Claire Bloom join with the Mormon Tabernacle Choir and Orchestra at Temple Square in a magnificent Christmas celebration featuring some of the season's most beloved songs. Christmas with the Mormon Tabernacle Choir is a holiday tradition the entire family will enjoy.
Brazil - Live in Goiânia is a live album by Bruno and Marrone it was released in 2006 by Sony BMG to celebrate 20 years of the duo. Was certified double platinum for 200,000 copies sold.
The young rapper Dissy meets the beat producing shadow figure Fynn. Influenced by Fynn, the unconfident Dissy plays an arrogant roll, which everyone in his hood likes.
La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.