
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

When his unmarried mother dies, custody of 13-year-old Job is assumed by his alleged father, Chris, whom he has never seen. Job is an enthusiastic cadet at a military academy, and Chris turns out to be a top-grossing rock star who removes Job from his beloved school to keep him company on tour. Getting acquainted is fraught with culture shock for both father and son. Written by Paul Emmons

How To Be A Megastar Tour 2.0. Blue Man Group's inventive new how-to-manual, which expands on the Rock Concert Manual concept from The Complex Rock Tour, will take you through the steps of a wildly clever and interactive show that offers unique all-ages appeal.

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

Simone Young AM has earned many accolades across her dazzling 30-year music career. All have been hard won. Knowing the Score gets up-close and personal with Simone in an engaging, luscious music documentary revealing two key themes; the long struggle for gender parity in the high art of classical music and the heart breaking struggle for artists to be valued in times of crisis, or sometimes even at all. Though one of the world’s great contemporary conductors, Simone’s work continues to be viewed through a gender lens. Simone is the first woman to be appointed Chief Conductor of The Sydney Symphony Orchestra in all its 90-year history, a post she takes up in 2022.

A talented girl realizes that her talents comes to waste

Poppy leaves the Internet for the real world and confronts the pitfalls of fame, including cults, deranged fans, Satan, and her bitter rival Charlotte.

The god Wotan gives the young Prince Sigmund of Valhalla and his sister Brunhilde, the leader of the Valkyries, the task of defending the Petrified Forest. This is threatened by the Vikings (led by the aggressive Hunding), who plans an invasion of the forest in search of the secret treasure of the Nibelung, the possession of which gives one unlimited power. After crossing the border and invading Valhalla, Hunding finds an ally in the daughter of one of Sigmund's loyal followers, Erika, who is embittered by unrequited love. She helps the Vikings raid the camp of the Valhalla residents and kill many warriors. Sigmund swears vengeance and pursues them with the remaining men. However, thanks to other traitors in Sigmund's ranks, Hunding succeeds in capturing him and his fiancée Siglinde, Erika's sister. At the end, Sigmund escapes and, with the help of the Valkiries, succeeds in stopping the invaders and defeating Hunding in a duel.

A One Man Show is a long-form music video collection featuring American singer Grace Jones, released in 1982. The video mainly consists of music videos, with some concert footage filmed when Jones was touring with the eponymous tour.