
A song publisher gets sued for stealing lyrics.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen. Recorded live on Broadway in January 1980.

Wiz's Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.

Splinters tells of the origins of the 1915 musical comedy revue of the same name, founded by British soldiers fighting on the Western Front in France.

In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.

A 2000 documentary film about the British punk rock band The Clash. In 2003 it won the Grammy Awards for the best long form music video. Directed by Don Letts, the film combines old footage from the band's personal collection filmed in 1982 when The Clash went to New York with new interviews conducted for the film by Mal Peachey of members Mick Jones, Paul Simonon, Topper Headon, and Joe Strummer and other people associated with the group.

Toy Porno is a self-released experimental art film by The Frogs. The amateur videotape was compiled in October 1993, as a gift for Kurt Cobain. It would soon become frequent viewing material on the Nirvana tour bus, and later on the Foo Fighters tour bus as well. Later, after generated copies began circulating amongst fans, the band began selling copies at shows. The tape is only available in VHS format. The file is available for download online in various outlets.

From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band's complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.

Set in the midst of World War II and interspersed with beautiful choir music, the horrors of the war unfold when the Germans realized one of the boys in the choir is a Jew and they must find him immediately.

The sons of a music-loving insurance broker take extreme measures to find happiness for themselves and others, with some help from the power of music.

It's About You is a 2012 music documentary film directed by father and son duo Ian & Kurt Markus. The films focus regards John Mellencamps 2009 tour with Bob Dylan and Willie Nelson and the recording of his new album in the month and a half of the tour. The film was shot entirely in the Super 8 format.