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In Nadodimannan, Padmanabhan plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story
Fragments of a contemplative essay film drifting between memory and dream. I see an old man haunted by an elusive voice, and a fading childhood quietly watching over him, in a space where prolonged sleep blurs the boundary of what is real. This is a story written from elsewhere a place where I listen, observe, and record his story, in an attempt to weave together images of family, and the quiet violence of growing up.
Noriyasu seems like an average third-grader, but his life goes haywire after he catches his mother reading his private daily journal. In an effort to astonish her, he begins writing outlandish lies about a giant snake in the bathroom, cooking pencils for dinner, and a rain of pigs, but Noriyasu is the one who's shocked when his writings play out in reality and everyone else treats the events as normal. Things become even more chaotic when he takes several stabs at being a newspaperman, producing “fake news” that become the talk of the town and one resulting in an apocalyptic porcine holiday.
In a quirky, heartfelt journey sparked by accidental edibles, three generations of women rediscover the love, happiness, and shared identity they hold as a family.
This is the story of the indomitable dream of two young brothers and their incredible journey in life and their car that has never been defeated. The story of human spirit, sufferings and simple joy.