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War

Sharpe's Battle

Pyrennees, September 1813. Sharpe is given the task of preparing the glamorous Royal Irish Company, led by Lord Kiely, for their first encounter with the enemy. Previously only used for ceremonial duties, the Company finds Sharpe a hard taskmaster. Trouble arises amongst the Irish soldiers when false reports are circulated of a massacre in Ireland perpetrated by the English. When Lord Kiely begins a passionate affair with Juanita, the Spanish partisan leader, the distressed Lady Kiely looks to Sharpe for comfort. Then Sharpe is led into a French trap and he and the Royal Irish Company find themselves up against the vicious Brigadier Loup and seemingly impossible odds.

The Siren

AnimationDrama

November 1980. Southern Iran. We are at the beginning of the Iran-Iraq war. Abadan, the capital of the Iranian petrol industry resists the repeated assaults of the Iraqi army, but is soon under full siege. Omid, a 14-year-old boy, has stayed back in the city, with his grandfather, waiting for his elder brother to come back from the frontline. Along with Omid, we discover several other uncommon characters, each one having stayed for a personal reason. Each one resisting in his own way. But as the Iraqi siege of the city hardens, Omid has to quickly find a way to save those he loves.

The Ballad of the Commissar

DramaWar

The events unfold during the years of the Civil War. Commissar Fadeytsev once spared the life of a White officer, Chugureyev. Now, in the days of the counter-revolutionary uprising, Chugureyev, sent by his command to a remote island, encounters Fadeytsev, who is hiding in the house of a gamekeeper named Maksim. The gamekeeper is sentenced to hang, and the sentence is carried out. Fadeytsev manages to escape captivity, but being on an island, he knows full well that he won’t get far from the enemy...

War Party

ActionAdventure

Navy SEAL drama, which is expected to be based on a true story. Further plot details are being kept under wraps.

Beginning of an Unknown Era

WarDrama

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.