Emergency Landing

A test pilot and his weather observer develop a "robot" control so airplanes can be flown without pilots, but enemy agents get wind of it and try to steal it or destroy it.

La bataille

During the Russo-Japanese War, an English officer on the ship of the Japanese falls in love with the wife of the commander.

The Brig

I am not free. There is a structure in my mind that imprisons me. This structure is the world. I obey certain laws. I could be punished. I cannot act upon my sexual desires. I cannot find the resources I need to create my art. I cannot stop war. I cannot live without money.

Birth of a Monster

For the past 12 years, journalist Paul Moreira has travelled extensively in Iraq. In this film, he goes in search of the men he filmed back in 2003 at the very beginning of the American occupation. Through their stories, and by tracing the roots of ISIS to the arrival of Abu Mousab Al-Zarqawi and America's handling of the resistance, he tells the story of how Iraq became such a fractured nation.

April

Set at the end of the war. A hot-headed colonel tries to force his men on to heroics although the war is almost over. A war-weary lieutenant tries to muffle his efforts but he keeps on with his men and is killed fighting in the front lines, all his men decide to get his body.

Chocolate and Soldiers

Chocolate and Soldiers (チョコレートと兵隊, Chokorēto to Heitai) is a 1938 Japanese war film directed by Sato Takeshi and one of the most effective Japanese propaganda films of the late 1930s. The American director Frank Capra said of Chocolate and Soldiers "We can't beat this kind of thing. We make a film like that maybe once in a decade. We haven't got the actors. It shows the common Japanese soldier as an individual and as a family man, presenting even enemy Chinese soldiers as brave individuals. It is considered to be a "humanist" film, paying close attention to the human feelings of both the soldier and his family. Cinema theorist Kate Taylor-Jones suggests that Chocolate and Soldiers provided "a vision of the noble, obedient and honourable Japanese army fighting to defend the emperor and Japan.

Third Company

Rita

The last summer of World War II in a Latvian fishing village. Ten-year-old Rita risks her life to care for and provide everything necessary for four prisoners of war rescued by fishermen—a Frenchman, a Russian, and two Latvians—who are hidden in the attic of a school converted into a warehouse by the German army.