
Neysa von Igel, who is living with her supposed grandfather, Adolph Schmidt, loves America, although she believes herself to be German-born. Unknown to Neysa, when she was three years old, her father and mother, both American-born, were killed in Germany by Emil Koenig, who, in punishment, was sent to the United States to work in the interest of the government of the Fatherland, and who is now associated with Schmidt in his manufacturing enterprise. Koenig demands that Neysa work in behalf of Germany. She revolts and escapes to the home of David Hale, who had been her grandfather's attorney, but who is now in the service of the United States Government. Hale and Neysa are married and depart for France, where the girl again encounters Koenig, and, after many thrilling adventures, she kills him in self-defense.

The story of the Great War told from a unique new aerial perspective. Featuring two remarkable historical finds, including a piece of archive footage filmed from an airship in summer 1919, capturing the trenches and battlefields in a way that has rarely been seen before. It also features aerial photographs taken by First World War pilots - developed for the first time in over ninety years - that show not only the devastation inflicted during the fighting, but also quirks and human stories visible only from above.

Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.

Bloody cartoons, hallucinogenic images of technotronic wars, the impersonal reality of the flesh open to the outside, a new awareness of the secret life of iron mechanisms.