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The film explores creativity in a different, not necessarily psychoanalytic, but certainly self-purgative and self-critical way. This is a story of the creative processes of a director, screenwriter, musician and versatile artist Vinci Vogue Anžlovar. A person with a personality disorder, a witty and insightful author with borderline tendencies. Four feature films, music for his band and feature films, theatre, short films. But all this in some state of conflict – clashes with producers, slapping a minister, breaking the jaw of an actor, fits of rage, anxiety, drugs, gambling, divorces, poverty, wealth, depression, rehab...
Anna and Michailo grow up together, attracted to each other since their earliest days. When Anna's father dies, her brothers force her into marriage with the mean farmer Mikola. After years of absence, Michailo comes home, to get her back.
TV special on NBC in 1977 about dangerous stunts.
Manor Lane High is a school on the edge - underfunded and overwhelmed, the school’s staff are stretched thin. Just before the school day begins, Drew, the exhausted head of English, abruptly resigns for good. Left reeling, Amy, the deputy head of English, must step in and steady the ship. But she barely has time to gather her thoughts— Chris, the frantic deputy head, breaks the news: Ofsted inspectors are arriving in 15 minutes for a surprise inspection. Caught between burnout and bureaucracy, can this fractured school survive the day?
East-End housewife Maggie Proud (Vanessa Redgrave) has two demanding children, a selfish mother-in-law, and an amiable but uncomprehending husband in Norman (Joss Ackland). When Christopher Shearway (Jonathan Cecil), the welfare officer at the factory where Norman Proud works, begins to take Maggie to theatres and art galleries as a “social experiment” it works too well.