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The first of three private-eye movies created by Robert Blake about rugged Joe Dancer as the forerunner to a prospective but unrealized series after the retirement of his "Baretta" character. In the initial outing, Blake, as Dancer, follows a trail of bodies through a maze of corruption involving a politically ambitious Beverly Hills family.
Twelve-year-old Zhenya is withdrawn and unsociable, even though he grows up in a prosperous family where he is showered with attention and bought expensive toys. He loves to tinker. But no one shares his hobby, and he has no friends. A chance encounter with an elderly man changes Zhenya's life.
Due to the accidental death of Pichler Bauer his wife Ilse, Granny Burgi and especially the youngest daughter Anna are suddenly alone on the mountain farm. Contrary to expectations and traditions, Anna inherits the farm. A well considered decision of the father: For Anna wants to stay mountain farmer, to preserve the inheritance of her father. In contrast to her mother and her uncle. In order to receive her father's farm and to be able to cope with the heavy and exhausting work, Anna hired a Bosnian guest worker, a Muslim, as a servant. They manage to continue the successful business on the farm.
Life proceeds peacefully in the family of Anna and Nikolai, although every day the wife meets and sees off the ship on which Ivan, her first love, works. Anna - takes the collective farm cows away from the village “activist” Repekhin, an irresponsible and frivolous type, and hides them in an abandoned loan. The investigation of this case was entrusted to police lieutenant Korzhov.
Film about two sisters, Morana and Ela.
Veteran broadcaster James Marriner is persuaded to front a new big budget national family TV channel. But he begins to suspect that the channel is a front for something much more sinister and political.
A comedy about divorce, Balkan style. Marko and Jelena are separating from their spouses so that they can get married. When they do, they realize that they made a mistake, so they meet secretly with their former companions.
The quirky Chichikov settles into a tiny room filled with strange objects. Suddenly, the space around him comes to life: the curtains whisper nonsense, the cabinets slam shut, and the floorboards creak slyly. It seems as though Chichikov has stepped inside his famous little box, and the dead souls—neatly copied by him—have found their voice, risen up, and begun a devilish dance around their captor.