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Milton Douglas writes a story where he is the protagonist. His character finds pages throughout the day, which narrate events that will inevitably happen to him, culminating in his murder. Milton Douglas also dies without knowing he is a character in a story.
After the loss of her husband, Maria Rodriguez begins to experience a sequence of dreams where it becomes difficult to differentiate between reality and the dream world.
Mantis Boy is a short film that serves as a prelude to Boy Soul Man Heart. It follows 14-year-old Mathias, who, struggling with trauma, retreats into a childhood memory of learning to ride a bicycle with his mother, Belinda. As she removes his training wheels, she teaches him resilience and hope, reassuring him that falling isn't failure. The film contrasts Mathias's painful present with the warmth of his past, using vibrant animation to show his joy and the symbolic mantis of encouragement. Mantis Boy explores love, resilience, and the lasting impact of memories, highlighting how embracing both light and darkness can heal and empower.
In an island perpetually suspended by Asian values, the spirit of a dionysian culture lays dormant. What stays awake is the daily repression of sensuality in the name of a constructed morality naturalised by the weight of history. Within this landscape, underground director Chew Tze Chuan continues the search for depictions of native sexuality in history which remains undocumented and only whispered about. With reference to native historical texts and the mythological and religious depiction of the 'Holy Whore', Chew constructs a mythology of a hermaphrodite who comes to town to impart a wisdom that proves to be too carnal and untimely. Years in the making and strung together with documentary-like footage of orgiastic happenings, punctuated with moments of refrain into randomness, the film soon escalates into a schizophrenic psychedelia of multicultural and polymorphous sexuality.