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A disturbing moment on a calm summer's day in the countryside: while gardening, a young man sees his mother as a woman for the first time.
She comes at night, quiet as a cat, to take his sleep away until he feeds her. All she needs is milk brought by him somewhere between sleep and reality. Her name is Insomnia.
The story of the ten-year battle to achieve fair representation for women in the governance of Sierra Leone is passionately revealed to us by three women from diverse backgrounds. Bernadette Lahai, Salamatu Kamara and Barbara Bangura share their stories of the impediments women face within the world of politics in Sierra Leone. Em Cooper’s exquisite oil painted animation combined with live-action video transforms issues of gender and politics into a compelling and thought-provoking viewing experience.
In a world inhabitated by wild creatures an intelligent little fella wants to set himself apart from the rest by shaping his surroundings according to his ideas. However, he hasn't quite learned that messing with an ecosystem may come with unexpected consequences.
A splendid blend of live-action photography and Cohl's famous animation, Nothing... displays the realms man has conquered: Air, sea, the domains of music and machinery. The one thing man cannot conquer, Cohl posits, is gossip.
Short stop motion animation film based upon the work of Pierre Corneille.
The OIAF’s contribution to Nuit Blanche Ottawa is Hello Amiga by the Toronto Animated Image Society (TAIS). TAIS commissioned six Canadian artists – Alex McLeod, Amy Lockhart, Barry Doupé, Daniel Barrow, Lorna Mills & Mark Pellegrino – to create animations by exploring Amiga computers. These machines were popularized for graphics and image generation in the 1980s and early 1990s. The artists have created captivating works that promote necessary critical discourse around animation, ponder the history of recent technologies and embrace new manipulations of old processes.
Every person is born without conditioning. They are raised and taught who they are and who they should become. They’re expected to fit into an idealized mold of the perfect “boy” or “girl.” What happens when someone doesn’t fit that mold… Through interviews paired and poetic images Formless creates a portrait of the trans body. The film pairs sketched animations with live-action bodies to match and highlight differences in body shapes and to create a contrast between the “ideal” mold of a gendered body and the real bodies that trans and gender non-conforming people live in. It is an honest exploration of dysphoria, euphoria, and the molds that society offers. The body is a deeply personal thing to many trans people and this film explores the unique ways trans people experience their bodies in modern society; the liberation of stepping outside of those molds and the liberation of fitting within them.