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Young prodigy Mi Anderson is enamored with robots. She designs, builds and - most of all - loves her bots. But they're not real, they're not - alive. One day, she uncovers an ancient discovery - bots. These are not your ordinary bots. They are special. They're from the past yet they're hi-tech - and they're hilarious. A real pack of stooges. Their zest for their new lives together leads them to hijinks and adventure. The bots are everything Mi has ever dreamed of. Until the evil Dr. Shultz discovers the enchanting power of Mi's bots. He wants to use them for military purposes, or worse. Can Mi and her MiBots learn the spirit of their magic before its too late?
A journey into the centre of Hell; Dante's The Divine Comedy, illustrated by Gustav Dore's wood engravings and animated by scratching directly into the surface of the film.
In Démontable, our domestic space turns into a world reminiscent of Gulliver’s Travels, invaded by miniature projections of the outside world. “A funny, playful film on the absurd relationship between daily life and global news. The level of media saturation we’re bombarded with creates an absurd distortion and distance between our daily routine and current affairs. Démontable explores this bizarre melange of realities by throwing the two worlds together: attack helicopters shred a newspaper, while a dinner plate suffers a drone strike. They’re a series of attempts to try and understand our world better by playing with its violent protagonists
An impression that bears traces of the filmmaker's subjective attitude towards the work of Gustav Klimt. The film uses, among others, the paintings "Turbulent Water," "Philosophy," and "Medicine."