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Animated hijinks of a man whose car just will not start, no matter what he does.
A story about the thrall boy Halte who is being sacrificed to the Gods after he tries to kill a rich man.
Nicole, a Sheriff living in Bethel town, Alaska, is called on an accident scene. In the middle of her burn-out, fears get materialized.
In our modern Moscow Karabas-Barabas has changed his image and name and opens a toy manufacturing factory. In the high-rise buildings from the "raw material" - old toys of all sorts and shapes - made two "innovative" unified model: the robot "Nibbler" for boys and doll "Glamushka" for girls. Mr. Baskara - so now to be called Carabas - sure that the future (and huge profits!) - is in his models.
A building collapses and the authorities have to find the causer.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.