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Vera, a fan of classical music who works as a night-time cleaner, discovers Miguel, a man she has never seen but who she imagines thanks to the objects on his desk.
Paul (Jim Helsinger) is a morose young advertising executive and aspiring film maker whose obsession with the Holocaust has gone way out of control. Paul has been compiling interviews with World War II survivors for a documentary film, and the project has propelled him to a state of paranoia. Listening to Beethoven, Paul worries that the composer wrote "Nazi music" and imagines that the plush sound on a Furtwangler recording owes to the violins' strings having been made out of "Jewish intestines." When his Yugoslav-born fiancee Dunia (Mirjana Jokovic) returns from China, where she has been studying, the two enter into an agonizing debate about whether to marry. She bluntly questions Paul's religious convictions, since he doesn't observe Orthodox Jewish traditions.
A social drama about alcoholism.
Peter Gothar films give a sharp, uncensored view of the society. This film is no different. The plot is rather simple: a family goes to vacation with the usual stress. Then on the vacation the wife gets a strange kind of sickness and they go back to Budapest for a cure. While the wife is in the hospital, the husband visits his family. This is quite banal. However the scenario was written by Peter Esterhazy, one of the most influential contemporary writers in Hungary. His style uses a lot of surrealism but in a way that profoundly illuminates the reality. In this film, the reality is an atomized society where the so-called communist ideals are nowhere so everyday people are fully disoriented.