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A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.
Priestess, slave, queen. After two centuries trapped in Sao Luis, Brazil, Agontimé breaks free and embarks back to her homeland, the Kingdom of Dahomey – current Benin –, hoping to retake the sacred place that is her by right.