Search for a command to run...
During the reign of Hidetada, the second shogun of the Tokugawa dynasty, the advisor Okubo Hikozaemon (Ganjiro Nakamura) entrusts the young Takechiyo (Hiroshi Kawaguchi) to the fishmonger Isshin Tasuke (Kazuo Hasegawa) to help him understand the world. Tasuke, who does not know that Takechiyo is the shogun's heir, trains him harshly. Tasuke's wife Naka (Michiko Ai) is concerned about his harsh teaching style, but Takechiyo gains strength day by day and adapts to his new life. Soon, Takechiyo begins secretly talking about love with a city girl named Otoyo (Hitomi Nozoe), but...
Kotoji Akame (Naoto Takenaka) is a shabby, middle aged low-ranking samurai of small stature. One day, in a drinking contest, he misses sending his lord off as he leaves Edo for Kuju. Released from service for this blunder, Akame becomes a wandering samurai. He goes on to steal lances from many feudal lords' processions. For Furuta, suffering defeat is out of question. To protect his domain and family, he takes it on himself to meet Murase and proposes an alliance between the Wako, Fuki and Ushizu domains. With the fate of the feudal families in their hands, Furuta and Murase pursue Akame. Each with something to protect, the men fight desperately over the lances.
The Dybbuk is a made for TV film adaptation of a classic Jewish folktale. The story is about a young Jewish man, Sender (Theodore Bikel) who loves a young Jewish woman, Leah (Carol Lawrence) but her father arranges her marriage with another man. The grief of this causes Sender to die, but his spirit passes into the body of his beloved on her wedding day. Rabbi Azrael (Ludwig Donath), who serves as our narrator through the beginning of the film, is charged with the task of exercising Sender’s Dybbuk (sometimes defined as a malicious spirit or demon who possesses the living) from Leah’s body.
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
In Edo, an amnesic man with extraordinary sword skills searches for clues about his past and his identity.
In 16th century feudal Japan the war between the Iga clan and the Kouga clan continues unabated. Typically for such violent disputes it is the women who suffer the most – in this case lowly castrated Kouga clan ninjas are kidnapping woman from their rivals’ lands and transporting them back to their own, with the intent to use them as concubines. Unfortunately for a trio of inept Kouga ninjas, one of the women they’ve kidnapped is Kisaragi (Rina Takeda), a skilled ninja with a long standing vendetta since her mother was kidnapped when she was just a baby.