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A romantic drama that unfolds in part in British India. Sona, who leaves home with her child because of the quarrel between her two suitors, is threatened along the way by wild animals. The quarrelling suitors put their dispute behind them, and rescue her.
The Last Outlaw (1919) proved very tantalizing. An end-of-the-West Western, it shows its grizzled hero revisiting the town of his youthful exploits. But now, in an anticipation of Ride the High Country (1962), civilization has taken over. Cars chase Bud off the streets and the theatre features movies (Universal Bluebirds at that, a bit of product placement). Ford heightens the contrast by letting us into the hero’s memory, introduced by the title: “Memories of the past flashing back to him”—the earliest reference to the term “flashback” I recall seeing in the movies.
A feisty woman struggles to keep her ranch from being stolen by a greedy and unscrupulous land-baron named Malick. A trio of young men comes to her aid Dusty Fog, the "Kid," and Miguel. They are later joined by a fourth man named Mark, who switches allegiance away from Malick, and then by the local Sheriff who's finally forced to stand up to the local tyrant.
Joe, an overwrought rancher is striving from his harsh upbringing, trying make a better life for his family. When his business falters, Joe fears his son, at the age of 15, will follow in his footsteps, and decides to drive him from home.
Two ranchers arrive in a small town to sell their horses. Along the way, they encounter an orphan boy fleeing from his abusive guardian and decide to take him back to their village in the hope of finding him a new family.
Walt Rogers finds a man that has been injured and robbed. The man was returning home after a long absence. When Walt goes to his ranch he is assumed to be the long missing son. Unable to tell the dying mother he assumes the part. But then there is trouble when the robber arrives with the papers to prove he is the son.
Infamous Mexican bandit Pancho López recognizes Gilbert Jones as the man who once saved his life; therefore, when Jones is in danger of losing his ranch for default of mortgage payment, López determines to help him. At the same time, Morgan Pell, intending to cheat Jones out of his potentially oil-rich property, offers him a sum of money, which Jones conditionally accepts.