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Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.
A man awakes in an abandoned shed.Confused, he finds itself tied to a chair. Standing in front of him is an unknown man, who begins a weird speech about his unique professional ethics, until the conversation rovers to a new and tense situation.
Drug addict Adish is horrified by a picture he accidentally came across on a Telegram channel. Although the woman's face is not visible, her underwear and shower curtain seem very familiar to him. When he looks up, he sees that these items are in his own house... Adish's mind is clouded by suspicion, anger, and the influence of psychotropic substances. Adish, who tries to prove his "manhood" with the intervention of his brother, makes an irreversible mistake... However, when morning dawns, the truth emerges - but was what he saw and believed really true?