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Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has been recently claimed as a boutique hotel venture for a management company that shows disregard for its formidable history. –Cannes Film Festival
Hot off Wild at Heart (1990), winning the Palme d'Or at Cannes, Johnathan Ross interviews filmmaker David Lynch and his colleagues.
A covert space program in chaos: the old 20 and Back boss fades, the new guys fight for the alien spotlight, and the whole saga gets buried under drama, deception, and a fresh batch of self-proclaimed space heroes. Who will reign supreme?
6 people researching & experimenting for empowerment in their sexuality – which actions are tempting & helpful to deconstruct shame and be more self-confident?
From "The Rocky Horror Picture Show" to "The Big Lebowski" and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.
illustrates how directors pushed boundaries and altered the art of filmmaking during the turbulent, swinging 1960s. Narrated by Woody Harrelson, "Reel Radicals" features clips from such seminal films as Arthur Penn's "Bonnie and Clyde" (1967); Mike Nichols' "The Graduate" (1967); Dennis Hopper's "Easy Rider" (1969); John Frankenheimer's "The Manchurian Candidate" (1962); Stanley Kubrick's "Dr. Strangelove" (1964) and "2001: A Space Odyssey" (1968); John Schlesinger's "Midnight Cowboy" (1969); Richard Brooks' "Elmer Gantry" (1960) and "In Cold Blood" (1967); and Norman Jewison's "In the Heat of the Night" (1967) and "The Thomas Crown Affair" (1968). Frankenheimer, Jewison, Hopper, Schlesinger, Penn, Buck Henry, Paul Mazursky, Roger Corman and Arthur Hiller are among the filmmakers who discuss the decade.
A behind-the-scenes look at the making of Robert Altman's 2001 film 'Gosford Park'. Cast and crew relate some of their experiences with making the film.
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.