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Legendary St. Petersburg composer Oleg Karavaichuk strolls through the Hermitage accompanied by his music. A seething genius among the masterpieces and interiors of the Winter Palace similar to himself.
A class reunion of the twenty-somethings in the old school. What one remembers, what the individual has new to tell. One of them: Marieluise. Her love, her work, her demands on herself and the world into which she is coming of age.
"As Paneladas" is a selection of the different aspects that permeate the famous dish of Panelada, with a dubious origin, it is known that it has been present in the city for approximately eighty years and is already part of the popular imagination when we talk about the Empress of Maranhão.
Reality, glowing with anxiety, is dissected and reconstructed through editing to generate blocks of pure image-sound through a precarious camera that, for several years, travels incessantly from the confines of underdevelopment to the heights of European prosperity. From a working-class neighborhood in Buenos Aires to St. Mark's Square in Venice. From prison to the plains.
Auréa carefully cleans her car at a service station. She tells the director, her sister, why she loves it so much, how she impresses her friends at the wheel, but also how she uses it as a flirting tool...
Four generations of the "People Who Live Where the Cedar Trees Start to Grow" (Wah-up-weh-tuhneum), also known as the Mono or Western Monache people, and their attempts to maintain cultural traditions such as acorn collecting, food preparation, music, dance, powwows, and games. Colliding Worlds won Best Documentary Short at the American Indian Film Festival in 1980.
The tuberculosis sanatorium was both heaven and hell within the same walls. The story of the epidemic includes death, shame and isolation as well as sanatorium romances, fun and survival stories. The film takes the viewer on a vivid journey into the sanatorium era: it gives the viewer a sanatorium experience full of surprises, and through documentary evidence, takes us to the heart of the secrets.
“There Is No Path” follows legendary director Heddy Honigmann on a real and spiritual journey. Today, facing a terminal illness, she will travel to her country of birth, Peru and through Europe revisiting all the important places and moments of her life, richly illustrated with clips of her films. Is it a farewell journey in which she lets go of her family, her loved ones and her work? Or is it a celebration of life? Her travelling companion is taxi driver Hussein, a refugee from Iraq with whom Heddy has a tight bond. As they trace Heddy’s family history they find many common themes. They are no longer taxi driver and customer, but two souls who each find joy in life in the face of adversity. It is a life affirming film about universal connection and comfort.
The documentary depicts the decay of one of Mexico's most prosperous macroeconomic situations (the era called "The Mexican Miracle") and the government's responsibility on this matter after increasing world interest rates, decreasing oil prices, rising inflation, a deteriorating balance of payments and a chronically overvalued national currency (Mexican peso), that spurred massive capital flight and a lack of international reserves. These events culminated in three devaluations of the peso in 1982 and the famous nationalization of Mexico's private banking system under the presidency of José López Portillo. -Edgar Cochran-
A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed
Julien Meyzindi is a "Subject" dancer at the Paris Opera. He joined at the age of 12. Today, he is 42 years old and must leave.