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Melody Maker Magazine's Chief Contributing Photographer(1965-1975), Barrie Wentzell tells the story of the rise and fall of the magazine, which marked the end to a style of rock n' roll journalism that no longer exit's today.
From initial lockdown to the first vaccines, Class of COVID-19 unveils untold and thought-provoking stories of courage and hope during a global pandemic. The stories move far beyond school buildings to show the fears, challenges, and triumphs of exemplary teachers and students. Faced with struggles around mental health, inequities in school resources, and racial injustice, the characters evolve to become true leaders in their communities and prove that sometimes the most important lessons are learned outside the classroom.
Enter the life of one of the greatest guitarists of all time Jimi Hendrix. Despite his mainstream career only sadly only spanning four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century.
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.