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It’s The Italian Job so obviously, I head to Kent in England for the race of a lifetime. But first I have to get ready. So, it’s the Fiorano test track in Italy where I spend a while not getting ready at all. I try the gym but it’s all rubbish so instead, I decide to compare Ferrari’s 458 Italia and the limited edition 599 GTO. On paper, that doesn’t seem fair. But in reality….
On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.
Bizarre, unusual and horrifying, Sex Rituals of the Occult will shock and delight you. Travel with us to this side of hell and learn the sensual secrets kept by the worshippers of Satan. Witness the modern masters of the dark arts as they undertake hideous violations of the flesh and soul.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.
A behind-the-scenes documentary hosted by Joanna Cassidy on the making of Who Framed Roger Rabbit.
A short making of feature about the 1966 John Frankenheimer movie Grande Prix
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?