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It's 2016. A decade-long 'exile' in mexico for assuming false identities in the us is ending for two mexican 'dreamers' who were stripped from everyone they loved and from everything they were. óscar ayala (35), a former milwaukee cop who posed as his late us citizen cousin, and rodolfo quiroz (36), a former migrant’s smuggler in texas aka antonio montana, dream of reuniting with their loved ones in the us, now that they have served their 10-year sentence banned from that country. but trump's victory in the us presidential elections turns their dream into a nightmare.
The making of "Carrie" (1976) is presented on the film's 25th anniversary with interviews with director Brian De Palma, editor Paul Hirsch, art director Jack Fisk and writer Laurence D. Cohen. The special talks about the book transition to film and the editorial process during filming.
The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.
A destructive event has swept away any sense of normality life could have. Everything left is cinema and people. Expectations are not met but that's okay.
The lock that gives way, a door that opens, the cries of joy that ring out: a condemned building has been freed. As simple as hello, the reappropriation that opens Christophe Coello's film is initially a moment of intense vitality. The jubilation of thwarting the plans of the real estate firm that had undertaken to empty the building of its inhabitants, the jubilation of giving back life to a bit of the dead city, the jubilation of taking over a building under the very nose of the property developers and to the relief of the remaining neighbors.
The film tries to make sense of the role of women in 1970s Estonia. The activities of men and women in different spheres of life are compared, the woman as a mother, caregiver and worker is examined, as well as the woman's aspirations for beauty and goodness.
A documentary about the life of an ordinary Estonian family, which the film group followed for 14 months after the monetary reform in 1992. The background is the emergence of statehood in Estonia.
December 1919. The American government deports 249 anarchists and radicals on the “Soviet Ark”. Five years later, this same ship becomes the set of Buster Keaton’s slapstick comedy “The Navigator”.