Search for a command to run...
Valeria and Segundo’s relationship swings between closeness and distance, sometimes wrapped in a routine loop and sometimes in full escape mode. Disturbing and subtle, Tornquist addresses those lives that seem to fuse together ancestrally just like the lush and majestic nature that surrounds them.
Five artists - a deaf person, two people with low vision, a person in a wheelchair and a limping person - are faced with a lot of questions, sent by the public, that reveal a whole imaginary around their bodies.
In 1942 Anna and Wasyl Major were sent from Galicia to Lungau and forced to work on farms. Only after the war's end brother and sister heard from each other. Both are staying in Austria and hard work on other people's farms still shapes their life.
At 88 years old, my grandfather Fernando suggested that we make a film together. His proposal comes when I tell him I'm moving out of his house. So we started filming, me with my camera and he with his. Although we have lived together for more than 20 years, it is through the camera that we see each other like never before. That Breath is an intimate record of our bond, love and loss, in search of understanding what it means to be alive.
A documentary about Menda Sakae, a man who was wrongfully imprisoned for 34 years.
After twenty years abroad, Natalya returns to her homeland and tries to change life in her native village - to repair roads, remove garbage and build a first-aid post. Will the Western experience take root in its native soil?
Until 1942 around 100 German propaganda films were made, that were set in Africa. They were produced in Germany, with Black Germans and Africans living in Germany. Who were these Black extras and how did they come to Germany? Why did they work in film-making? Which roles did they play and what messages did they send? What were their daily experiences as Black people during the Weimar Republic and the Nazi Regime?