A gesture of post-mortem cinema: spaces devoid of tangible life take on a spectral atmosphere, as though considered through the eyes of the departed. A spatial expedition through a deconstructed Berlin ensues, existential in its storytelling and political in its focus on an individual's trauma.

A Finnish documentary about the feelings of a rock generation in the Soviet Union during Gorbachev's regime: the film follows underground bands' rise to publicity, the country's first "official" rock festival called the Moscow Rock Panorama-87 and the rocket-like ascent of Uralian Nautilus Pompilius into the starry sky of Soviet rock. Also appearing: "Аквариум", "Авиа", "Телевизор", "Браво", "Ва Банкъ", "Бригада С", "Новая Коллекция", "Мистер Твистер", "Круиз", "Нюанс", "Альянс", Uriah Heep.

The post-industrial suburbs of Paris provide an atmospheric setting for a short film about a community of refugees outside the city.

Tatiana faces an economic crisis that has forced her to be temporarily away from her kids, her "gang", as she calls them. By writing out her feelings and covering her wall with pictures of the kids, Tatiana opens her heart from the loneliness of a rented room in Bogotá. While she attempts with determination to let her kids know that, despite the circumstances, she is still there for them.

Libby Spears goes undercover in southeast Asia to infiltrate the vast network of people involved in human trafficking (specifically, sex slaves), and discovers that not only are a significant number of its victims children, but also that the United States is one of the industry's biggest customers. When she returns home to learn more, she discovers the roles that the educational system and law enforcement have played in keeping the issue off the radar.

Every city has its secrets, but it is probably inside houses, behind their silent walls, where they are most intense and human. The Alabado House was built in 1671 as part of Quito’s colonial Old City, surviving centuries of earthquakes, poverty and decay. Over the past five years, dozens of manual laborers have been working to restore it. But its miraculous beauty conceals a long and tragic history. For it was the oppressed indigenous masses who built the Old City, the largest in Latin America.

Persona pursues her initiatory journey from the internet(s) spaces to a cave floating into outer space inhabited by memories and narratives from her ancestors' fight for Cameroon's independence. The cave's walls and drops are a window to archives that end up melting with Persona, whose humanoid envelope has slowly vanished.

"Deep Touch" is a performative video using a Soft Computing sculpture. The piece is inspired by the oft-cited Matt Mahurin image made for a 1995 Time Magazine cover story on cyberporn, in which a man hugs a glowing computer. This simple gesture--embracing the device one spends so much time with--is cast in a sinister light, a deviation from normal desire. Twenty-five years hence, in a time when we touch and caress our devices all day long, heightened even further by quarantine, the desire to embrace our technologies seems normal and obvious.

An approach to the black and white pictorial work of the visual artist Jorge Castilla Bambarén.

Early Balkan footage.

‘Civil Dusk’ is a film about a post-migrant notion of belonging. In a semi-autobiographical narrative, Europe-born artist David Uzochukwu re-assesses his own gaze upon his Nigerian father.