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To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
Portrays the importance of the use of art in the formation of adolescents; the use of art, in all its manifestations, as a tool to help them meet themselves, to resurface their emotional, spiritual, and psychological life.
The film depicts part of Priest Donizetti Tavares de Lima's trajectory in a little town in the State of São Paulo called Tambaú, where he performed a series of miracles.
The documentary follows the life of a blind couple who, despite social prejudice, decided to have a child. Ferike has a dream: when he grows up, he will collect the money for his parents’ surgery so that they can regain their eyesight and be able to see just like him. For the time being, he accompanies them in their daily life. He assists them everywhere: in a shop, on the way to work, in a museum or the zoo. The parents do their best to have the son enjoy his childhood just like his peers and, at the same time, not move too far away from them.
Once he wanted to be a soldier and today he is a rural doctor and a hard-working farmer. He is also a lonely guardian of the memory of this land’s Jewish inhabitants whose only reminder is an overgrown cemetery. A bucolic landscape over the Neman River preserves the traces of the deceased.
A Vietnamese documentary on human suffering and the meaning of kindness.