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Yukio Fujiki is a 91 years old prominent conservative figure in Yokohama, who organizes the distribution of the port and is well-connected with the people of the local political and business world. However, in 2019, Fujiki voiced his opposition to the administration's attempts to bring casinos to Yokohama and embarked on the last fight of his life to protect his own city from the expansion of the gambling industry.
Depicts the Japanese occupation of Manchukuo. Describes the mechanization of industry. Includes scenes showing coal and iron mines, steel mills, railroads, government buildings, new housing, native Chinese life, shops and trade, the Russian influence in Harbin, the raising of soy beans, schools, and hospitals.
Documentary on the Thriller, Noir, Fantasy, Science Fiction genders in the Greek cinema for the last 50 years. It is a collage of authentic scenes and trailers of 50 films as presented by 4 girls, bearing the name of the gender they represent. 50 years (1959-2009), 50 films, 45 directors, script writers, authors, critics, producers.
Shot as a political thriller, this documentary in 4 acts go behind the scenes of the Parisian municipal elections of June 1999.
Salad Days, noun: a time of youthful indiscretion and delinquency What really are the salad days? TGR answers with the tightest in jib style and culture. Check it: backcountry air, cliffs, rails, urban, pipe, and more. Witness skiing’s new generation experience the sessions they wish would last forever. These are the happy days, the salad days as they say, when the boys are green in judgment, cold in blood.
Documentary about a mother and her daughter looking back at the impact addiction has made on their family.
View of the audience, following the launch of a ship.
The film, shot with the participation of masters of the arts, presents the colorful and sunny palette of Azerbaijan to the audience through the language of cinema. The film features mugham music, modern pop songs, and jazz compositions based on folk melodies.
The battle of El Salvador and its revolutionary history, from the time of the Spanish conquest and colonization, to the insurgency of the 80s, approached by a Puerto Rican filmmaker immersed in the conflict. Depicts a host of F.M.L.N. guerrillas marching forth from Monte Alzaco, the spiritual home of Salvadoran resistance.
Holidays spent at my mother’s. The atmosphere is tense: not only does she find it hard to accept that I’m not the girly daughter she dreamt of having, but she is also in the middle of divorcing my stepfather. The stay promises to be eventful.