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In the Peruvian Amazon, many indigenous communities still live without reliable access to electricity or the internet. At the same time, large-scale fossil fuel projects are encroaching on the region. In Alto Mishagua, this contradiction forms the backdrop to Roxana’s story. When Roxana returns home during the pandemic, her village feels more isolated than ever, and the warnings from the elders grow ever more urgent: their forest is changing, the rains are shifting, and life is becoming increasingly uncertain. Together with other young people, she begins to imagine a different future, based on clean, independent energy.
An artist’s memoir navigating the scars of his own past through the lens of Thailand’s fractured political history and surreal contemporary art. The film traces nearly four decades of growth—from a boy with a meaningless name to a young man awakening amidst the smoke and blood of history. It is a profound exploration of grief, intertwining personal loss with the death of an internal patriarch, the cost of freedom, and the lingering aesthetics of the soul.
“Rabani” – is a film about Ukrainian refugee with Sudanese roots, who is caught between memory and a relentless media stream that constructs a parallel life inside his mind. As he moves through Berlin, this mediated reality begins to distort his perception, until he can no longer distinguish which emotions are his own and which are imposed.
Self-portrait by Sebastian Botero inspired by bus journeys and their connection to creativity.
Brian, a newly married outsider in a religious extremist family, is torn between faith and morality when the Wards kidnap a lesbian couple, Kennedy and Mia, determined to save them at any cost.
Part of a series of found landscapes, filmed on a single 8mm roll.
A short film inspired by the albums Preacher’s Daughter and Willoughby Tucker, I’ll Always Love You by Ethel Cain.
In a world first, a cliff diver Molly Carlson attempts a 50-foot dive off a helicopter into a floating cage surrounded by a shark feeding frenzy.
In this special, Munawar Faruqui shares his side of the story about being jailed.
A film on contact and intersection
“The song’s title is an obscure reference to a character in a short story by Frank Herbert. It was written from the perspective of someone watching a loved one set out on a path that was not recommended to them, able only to watch passively as events unfold.” – Panchiko