Documentary
Prisoners of Gravity
Documentary
Prisoners of Gravity was a Canadian public broadcasting television news magazine program that explored speculative fiction — science fiction, fantasy, horror, comic books — and its relation to various thematic and social issues. Produced by TVOntario, the show was the brainchild of former comic retail manager Mark Askwith and writer Daniel Richler, and was hosted by Rick Green. The series aired 139 episodes over 5 seasons from 1989 to 1994.
Chronicle
Documentary
Chronicle is a BBC Television series shown monthly and then fortnightly on BBC Two from 18 June 1966 to its last broadcast in May 1991. Chronicle focused on popular archaeology and related subjects. The best remembered episodes of Chronicle were "The Lost Treasure of Jerusalem...?", "The Priest, the Painter and The Devil" and "The Shadow of The Templars". These were presented by Henry Lincoln who later went on to write Holy Blood Holy Grail with Michael Baigent and Richard Leigh. The BBC have made some editions available online
National Geographic Specials
Documentary
For decades, the National Geographic Society has presented specials on nature, foreign culture, scientific breakthroughs, and things which fall under the general category of "neat stuff." Each special is self-contained.
Aktueller Bericht
DocumentaryNews
The Twentieth Century
NewsDocumentary
The Twentieth Century is a long-running CBS documentary television series that aired from 1957 to 1966, sponsored throughout its run by the Prudential Insurance Company and narrated by Walter Cronkite. Drawing on the resources of CBS News, the series produced both historical compilation documentaries and originally photographed contemporary reports, presenting major political, cultural, scientific, and social developments that shaped the modern world. Episodes combined newsreel footage, eyewitness testimony, and on-location reporting, covering subjects ranging from global conflicts and political change to arts, science, and international social transformation. Popular with audiences and critically respected, the series functioned as a formative model for later American television documentary programming and helped establish the compilation-documentary format as a central mode of broadcast nonfiction.
