Search for a command to run...
Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".
Under the big top of the Franconi Circus, twins Fletcher and Wyatt Shears, better known as The Garden, perform their latest album, “Mirror Might Steal Your Charm.” An atypical and dark Release Party, where the jester costumes take on tragic overtones. Discover the fast-paced rock, laced with experimental punk, of our jokers full of youthful fire.
Four friends work on film production in the method that has never been done before. But when they all have different goals, how could the film be made? Gila Jiwa crosses diverse genres of horror, action, drama, comedy, and musical.
Two musical stars from the golden age of Hollywood get a second chance at rekindling their love in the modern world.
Following the successful documentary The Matthäus Mission of Reinbert de Leeuw, director Cherry Duyns is now showing the full implementation of the St Matthew Passion. It is a poignant performance in De Nieuwe Kerk conducted by Reinbert de Leeuw. With soloists Joanne Lunn (soprano), Delphine Galou (alto), Christopher Watson (tenor), Tomáš Král (bass), Andreas Wolf (Christ), Benedikt Kristjánsson (evangelist), Holland Baroque, the Nederlands Kamerkoor en the Roder Boys Choir. Concertmaster Judith Steenbrink.
The film is divided into two distinct stories with the same setting: the back-stage of the Moscow Operetta theater with the Can-Can metaphor which is a high-energy and physically demanding dance. Human relationships, betrayals, and the relationship between parents and children are the same common denominator found in the two parts of the film.
The life and work of Vietnamese singer-songwriter Tran Tien through his genuine exchanges with the film crew combined with old performance footages.