Popcornly

Music

The Green Music Box

Ruriko's father is a well known scientist who's involved in secret research that even his family doesn't know about. Ever since he moved up to the research laboratory in Hokkaido, Ruriko hasn't heard from him. The only thing that reminded her of his warmth was the green music box that he’d left behind for her. She longed to reunite with her father. The little box played music that lifted her spirits, to a place where everything was perfect.

Score: A Film Music Documentary

MusicDocumentary

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

Extraordinária Graça (Ao Vivo)

Music

The DVD was recorded in Rio de Janeiro, at HSBC Arena on June 13, 2015. Directed by Anselmo Troncoso, with musical production by Ruben di Souza. The CD/DVD repertoire consists of songs from the albums "Extraordinário Amor de Deus" (2011) and "Graça" (2013), both awarded with the Latin Grammy as the best albums of Christian music in Portuguese. The show had the participation of Fernandinho and Bruna Karla in the song "Rendido Estou".

Bowie: The Final Act

DocumentaryMusic

The final creative chapter of one of music’s most iconic artists. Featuring rare interviews with those who knew and worked alongside Bowie as well as famous fans and figures who have been inspired by his artistry, the film will uncover the strategy behind Bowie’s artistic resurrection and the inexhaustible extraordinary creativity that defined his final decade, in which he released his critically acclaimed album Blackstar just two days before he died. This was an emergence from the turbulence of the 1990s, when Bowie had found himself at odds with a changing industry but pushed on to headline Glastonbury in 2000.

Royal Opera House: La Traviata

MusicDrama

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

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ComedyMusic

Ian Bonar is Stevie, a wannabe musician whose look is a hybrid of Jarvis Cocker and early Elvis Costello. Working with his drummer pal Neil (Matthew Baynton) in a call centre, they dream of breaking into the indie music scene. To do this they require additional band members. Step forward the driven (and drinking) guitarist Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal), who has a sideline in making sculpture from hair.

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Music

The Green Music Box

On-Gaku: Our Sound

Taurus

Score: A Film Music Documentary

Papa, Can You Hear Me Sing?

Lindisfarne's Geordie Genius: The Alan Hull Story

King Creole

Bob Dylan – Don't Look Back

Connie and Carla

Extraordinária Graça (Ao Vivo)

Bowie: The Final Act

Swing Fever

Royal Opera House: La Traviata

The Bullfighters

Godspell

I Now Pronounce You Retro & Ellie

Stardust

Sin piedad

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Backbeat

Command Palette

The Green Music Box

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