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A man is accidentally endowed with superpowers. His only desire? For life to go back to normal. He doesn't want to be a superhero, but he can't help it.
The little fox hero, in search of easy money, meets his avatar double, a seagull and a firefly, who will help him realize himself and reincarnate.
Palimpsest charts the changing lives of the interior of one house over a period of three centuries, a time-frame compressed into ten minutes - portrayed through a combination of time -lapse, real-time, and stop-frame photography. The camera is fixed as the 'space' inside the frame itself transforms, destructs and evolves over the years: historical eras are evoked through references to 17th, 18th and 19th century painting and early 20th century cinema and the human presence in the house is signalled through scenes of everyday labor and domestic duty.
It was the perfect hiding spot. No one would find him there.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.