Search for a command to run...
When Fernanda and Andressa received the autism diagnoses of their sons, Rafael and Martin, they faced a future marked by invasive treatments and fear. Seeking autonomy, they found in cannabis oil a key to give their children the chance to dream and fight for dignity.
Attrazione d'Amore is a touching illustration of the unique relation that has developed between the Conductor Riccardo Chailly and his famous Royal Concertgebouw Orchestra. Voyage to Cythera navigates through wonderful musical quotes made of performances conducted by Berio, rehearsals, archival documents and interviews featuring Riccardo Chailly and Louis Andriessen.
The first two parts of the 19th film are about five former pupils. Two of them already made themselves known through the "CVs" of 1980: Ilona, the electronics worker and later youth functionary in Frankfurt (Oder), and Winfried, the graduate engineer for electronic device construction, who was then also commander of the combat group of his company, the Gröditz (Saxony) pulp mill, and now lives temporarily unemployed in Augsburg. In addition to Ilona and Winfried, who were politically active, the new film portrays Jürgen, Petra and Christian. Their cinematic lives are shorter, because the documentarians had long lost track of them. Now, over 50 years old, Jürgen, initially trained as a painter and upholsterer and now a transport and warehouse worker in Manschnow (Oderbruch), and Christian, an agricultural machinery fitter and now an in-house technician at the Kreditanstalt für Wiederaufbau in Berlin, were willing to be filmed once again.
Every year, in the province with the highest rate of desertification in Portugal, thirteen villages of the border rejuvenate a bullfight with unique characteristics: the Capeia Arraiana. The butlers prepare they party and contribute to the ethnographic heritage, starting a ritual of emancipation where we can see confrontations with the force of the bull. Several men wear a rudimentary object made of wood, and fight the bulls that are brought in, often from Spain. The villages compete against each other in search of the Best Capeia of the Year.
Marcel Ophüls interviews various important Eastern European figures for their thoughts on the reunification of Germany and the fall of Communism.
'Homo culinarius', as some researchers currently define, refers to our experience since cuisine was created. Its relationship with affection is displayed in this film in a way that explores the professional and home environment, through intimate captures of the filmmakers.
Julia meets Daniel, a musician who is stranded in Cuxhaven. She is immediately drawn to his talent and vulnerability and decides to make a film about him. However, the project takes an unexpected turn when Daniel begins to communicate with Julia through long video messages, expressing his desire to run away with her. At first, she is intrigued but as time goes on she becomes overwhelmed by his demands and begins to question the power dynamics of their relationship.
Expectant mothers discuss the emotional and physical changes caused by pregnancy and the difficult choices they sometimes have to make.
This film was shot over the course of one month, on a 10 year old camera, documenting empty construction sites. Through this, the filmmaker explores the beauty in humanity, growing up and the world of architecture.
21 years young Ksenia will soon need to present herself to the courts, only she doesn't know when and for how long. How is it to live life in limbo,when you don't know when, or how heavily you'll need to pay for what you've done.
Divided into three parts, Cold Stack charts the melancholic decline of the oil rig industry in the Scottish Highlands. The film uncovers the destructive effects of the collapse on those who were employed by the industry, and showcases the grand visual spectacle of the dereliction of the rigs in the Cromarty Firth. The first part documents the Kishorn fabrication yard on the west coast of the Scottish Highlands, encountering those who worked there during the great boom of the 1970s and 80s, and showing the ghostly remains of the yard in its current all but abandoned state. The second part shows the Cromarty Firth, where dozens of unused oil rigs are ‘cold stacked’, covering the effects of economic decline on those who formerly worked constructing the platforms. The final section looks to the future, considering the otherworldly beauty of the new form of energy that is dominant in the highlands: wind farming.