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A documentary film based on the works of the Armenian mystic and lyric poet, monk and theologian Grigor Narekatsi (c. 950 - 1003/1011). A thousand years ago, in ancient Armenia, St. Gregory of Narekatsi wrote a book of prayerful contemplation, which to this day is the deepest revelation of the spiritual world of man in search of the meaning of life. The protagonist of the film is a modern person living in the modern world. A world in which the fundamental question of the meaning of life is not relevant.
White Horse is a short documentary by filmmakers Maryann DeLeo and Christophe Bisson that features a man (Maxym Surkov) returning to his Ukraine home for the first time in twenty years. Evacuated from the city of Prypiat, Ukraine in 1986 due to the Chornobyl disaster, he has not returned since then.
The film takes the notion of harmony in China as a site of creative manifestation, and draws from footage shot in 1993 and 1994, in Eastern and Southern China, specifically from provinces Anhui, Hubei, Zhejiang, Fujian and Guangxi—linked to the remote origins of Chinese civilisation.
Male returns to his grandmother's old farm in Peru to film a character from her childhood, Felipe Valer, the last worker, and prevent him from being forgotten.
Eighteen hundred Greek political refugees and their children return to Greece after 35 years of exile in the village of Beloiannisz, built near Budapest in 1950.
Panorama is the first chapter of a trilogy on the city. The video is a review on a polis that stretches away over an infinite global space with no more uninhabited places nor frontiers where we can take refuge. In this landscape we cannot see any way of readmission for those who have once been excluded, and this recalls imaginary worlds in search of a balance.
An inward little town in Finland transforms into a melting pot of nationalities, religions and cultures when Finnish Basketball Federation opens the borders for foreign players. The Board of a local team puts all their eggs in the new season trebling their budget. Unknowingly it hires an uneasy twosome as the new manager and new coach for the team. The airlift from America, Europe and even Africa hauls in player after player when the coach burns the money that never realizes. The tragicomic efforts of the manager to gather the unrealistic budget and even to find a washing-machine for the players evolve into an anatomy of inflamed working environment. The manager's power-struggle with the coach has a bitter end where there's only space for one of them in the town. The player-candidates come with high hopes and end up being the pawns in the game. Their life among the locals create absurd encounters that originate from all walks of life.
In three long, uninterrupted one-takes shot over a single summer’s day and night, the camera moves slowly through the park while the guests alternately react to the lens or try to ignore it. A gang of Pierrot clones mingle with the visitors. The film is an joint creation between students of the Royal Danish Academy of Fine Arts and the Danish Film School, initiated independently by the students. Using Bakken as a frame - historically, architecturally and socially - all the contributors helped develop the concept for both the film and the performative interventions in front of the camera, which are sometimes inseparable from the hedonistic and condensed semi-fictional universe that an amusement park is.