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There are more than 320 thousand migrant workers legally hired in Taiwan, among them more than half are from Thailand. To these migrant workers, working abroad in Taiwan is a risky gamble. If they win, they can pay back large amount of brokerage fee and earn some money to support their families. The three Thai workers from northeastern Thailand in this film, however, weren't so lucky. The electronic factory that they'd been working was suddenly closed down. The owner of the factory simply said that he could not afford to pay the salaries of the 100 domestic workers and 100 migrant workers. The Thai workers were eventually deported back to Thailand after fighting futilely for their rights with other migrant and domestic workers. Their dreams of earning money were totally shattered. Some of them were deeply in debt. Would they give up their hopes in earning money from working abroad because of their bad experiences in Taiwan?
The cables of the Madrid metro tunnels through variations in colour, movement and speed.
The history of changes experienced by Inuit people in the last sixty years is contained in the stories of Vivi Kunuk. Abandoned by her father, a White RCMP officer, Vivi Kunuk was adopted by the Inuk family of her mother who raised her as a boy. This is but one remarkable chapter in her life. With her husband Enuki, she raised eight children living most of the year on the land. Surrounded by her grandchildren, she recounts stories about the land she knows intimately and her life's destiny on Baffin Island.
“There is no country but childhood's” said Roland Barthes in a lovely text simply entitled "The Light of the South Wes"t. This region that he had chosen from them all, Urt on the banks of the Adour, the village sheltering his mother’s house. He would often come here to rediscover his pleasure in writing: “The pleasure of these mornings in U.: the sun, the house, the roses, the silence, the music, the coffee, the work, the a-sexual calm, a break from aggressions.” It is here that he now rests in the same grave, close to the maternal breast.
In 1978, young Black people gathered at CECAN in São Paulo and created Cadernos Negros. The publication has featured over 300 authors. In 1980, the group formed the Quilombhoje collective. Since then, the series has alternated between poetry and short stories, expanding the visibility of Black Brazilian literature.
In the early 90s, in Artsakh (Nagorno-Karabakh), civilian volunteers all from the same village choose to take up arms in resistance, to liberate their land. Each in turn, they weave the fabric of their joint story. In this village life, everyday gestures are still charged with the silent presence of the war. And then, three decades later, History repeats itself. War flares up again.
A portrait of Norway's best football player, Erik "Myggen" Mykland.
The lock that gives way, a door that opens, the cries of joy that ring out: a condemned building has been freed. As simple as hello, the reappropriation that opens Christophe Coello's film is initially a moment of intense vitality. The jubilation of thwarting the plans of the real estate firm that had undertaken to empty the building of its inhabitants, the jubilation of giving back life to a bit of the dead city, the jubilation of taking over a building under the very nose of the property developers and to the relief of the remaining neighbors.
The documentary details the 'Pulped Fiction' project by British visual artist David Shrigley, who has produced a limited run of 1,250 copies of George Orwell's dystopian novel 'Nineteen Eighty-Four' made entirely from the pulped remains of unwanted copies of 'The Da Vinci Code'.
Pilar Rodríguez, a soprano with a promising past, has been singing in the streets of Barcelona's Gothic Quarter for over twelve years. Far from the stages that once applauded her, her life has been marked by abandonment after two scams and a failed album. However, her voice, her strength, and her dream remain intact.