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A documentary musical comedy with elements of kitchen-sink realist drama, featuring Marija's three granddaughters: Nina, Zeljka and Danira.
The music of Nigeria’s reclusive synth funk innovator William Onyeabor has reached a new level of exposure via Luaka Bop’s excellent Who Is William Onyeabor? compilation last year, yet many hard facts about Onyeabor’s biography remain elusive. In their new documentary “Fantastic Man,” Noisey speaks with musicians and champions of Onyeabor’s music, including our own Quinton Scott and Duncan Brooker who included the sublime “Better Change Your Mind” on the first Nigeria 70 compilation, about their appreciation for his music, and the search for the facts about his life.
However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?
A documentary about discrimination against Bolivian immigrants, the short film features testimony from Eugenio Zaffaroni.
Documentary exploring the life of the late, famous Portuguese musician, António Variações.
For three days we follow the lives of several characters, each of them on a journey: from the everyday humdrum of their ordinary lives (the exhausting work shifts, being misunderstood by society, the homeless, the lonely, the yearning and the lack of any meaning for existence) to the place where they meet to recover something that the rationality of modern life cannot offer them: faith.
The narration of two parallel stories tells the history of the student movement in Chile. A teenager immersed in the political climate of his school and a former prisoner of the Pinochet dictatorship will find in the social mobilization the meaning of their own story.
Depicts the royal houses of Europe (Norwegian, British, Belgian and Dutch) as well as Iran and the Principality of Monaco.
A handful of student revolutionaries from the Seventies meet up 30 years later to plan a robbery. This is not entirely correct, because they are friends, anyway, and always have been. They play cards together and go to each others’ birthday parties, have wives and children and probably mortgages. Romain Goupil’s film appears to be a throwback to the experimental days of cinema verite. Either that or it’s a home movie, shot with a video camera, to an improvised script or no script at all.
Ils s’appellent Azouaou, Abderhamène, Louise, Shana, Kyria ou Yanis, ils ont entre 3 ans et 4 ans quand ils commencent à discuter librement et tous ensemble de l’amour, la liberté, l’autorité, la différence, l’intelligence… Durant leurs premières années de maternelle, ces enfants, élèves à l’école d’application Jacques Prévert de Le Mée-sur- Seine, dans une ZEP de Seine-et-Marne, ont expérimenté avec leur maîtresse, Pascaline, la mise en place d’un atelier à visée philosophique.
Documentary about an unusual music project by vocalist Frédérique Spigt. For two weeks, a mobile recording studio is isolated in a historic house. Together with her musicians, singer Spigt meets a Dutch artist each day with whom she has a profound encounter and argues about singing a duet they wrote together.
Summer 2019, Zak wanders the streets of Algiers and dives into the Hirak, a series of protests taking place in Algeria since February of that year. His chronicles are nourished by encounters with men and women who take an enlightened look at their country and its struggles: through their words, the strength and complexity of such a movement emerge.