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Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.
With unprecedented access, this documentary looks into the hidden world of one of Russia's most impenetrable and remote institutions - a maximum security prison exclusively for murderers. Deep inside the land of the gulags, this is the end of the line for some of Russia's most dangerous criminals - 260 men who have collectively killed nearly 800 people. The film delves deep into the mind and soul of some of these prisoners. In brutally frank and uncensored interviews the inmates speak of their crimes, life and death, redemption and remorselessness, insanity and hope. The film tracks them though their unrelenting days over several months, lifting the veil on one of Russia's most secretive subcultures to reveal what happens when a man is locked up in a tiny cell for 23 hours every day, for life. A startling insight into inscrutable minds and the forbidding world they have been condemned to. (Storyville)
Director-cinematographer Mika Mattila tours the tourist attractions of the world and films inconspicuously the formulaic behaviour of the tourist masses.
In Varja Mocnik's documentary, members of former Yugoslav rock band Buldozer, their friends and fans reminisce about the time of the release of the band's debut album Pljuni istini u oci (1975). Their accounts interlace with fictitious scenes, the record artwork, archive material and animation, to ultimately come together into an inventive, surrealist film that speaks not just of the legendary album, but also of the society and reality of the time.
“Sacavém” is a journey through Pedro Costa’s films and focused on his work on “Down to Earth”, “Bones”, “In Vanda's Room“, “Colossal Youth” and “Horse Money” Built on the visual and sound landscape of Pedro Costa’s films and accompanied by his owns reflections on the matter, “Sacavém” serves the audience has a window on how Costas cinema is sensed and conceived.
A depressed, middle-aged, former standup comedian participates in his son's college documentary project.
Corrupt prosecutor, emerald trafficker, demonized transvestite. Omar Bautista "has been" all of these people, but he is also a 60-year-old man who was sentenced to prison for murder. After almost a decade in prison, Omar gets the benefit of 72-hour releases. A documentary filmmaker tries to follow him during these leaves, which turn into a sort of psychological hunt. With a chameleon-like behavior, Omar drags him into absurd situations that mock his way of understanding freedom... and cinema.
The origins of the Piquetero Movement in Argentina. After successive neoliberal governments left the country with over 50% unemployment and the disappearance of entire towns, the first uprisings took place in 1996 and 1997. Women were the first to take to the streets and block roads with their children. This story is told through the voices of women from Salta (Mosconi), Jujuy (Ledesma), and Neuquén (Cutral Co).
The fuzzy boundaries between sanity and insanity in an isolated Christian group come to light when one of its members dies in strange circumstances. Since then, a harsh judicial process jeopardizes their fate as a group. A story about faith and social prejudices.
The tuberculosis sanatorium was both heaven and hell within the same walls. The story of the epidemic includes death, shame and isolation as well as sanatorium romances, fun and survival stories. The film takes the viewer on a vivid journey into the sanatorium era: it gives the viewer a sanatorium experience full of surprises, and through documentary evidence, takes us to the heart of the secrets.
The director discusses her childhood recollection, which leads to a traumatic narrative that she does not tell many.
Through interviews with friends, family, and colleagues, the documentary relates the life and career of Rafael Hernández, one of Puerto Rico’s most renowned and beloved composers of popular songs.