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On May 18, 2023, Cuban movie posters were inscribed on the UNESCO Memory Of The World Register. Cine Libre tells the story of this invention and its creators.
From the sugary mirage of abundance to the bitter reality of overweight and malnutrition.
This short documentary chronicles the everyday life of the city's residents. We hear testimonials from citizens set against black-and-white images of life downtown.
A gun toting 83-year old woman refuses to sell her house to the power plant next door but the plant has moved ahead their 20 million dollar deal to buy out most of Cheshire and bulldoze all the homes.
The lighthouse, as a man-made object built to shed light into the dark unknown, encapsulates perfectly the desires of the Enlightenment project of modernity: the domination of nature through reason and intellect, the advancement of technology and trade on a global scale, the illuminatory transparency of European Christian morality – a beacon in the dark. This 'op-film' will be a disorienting and disoccidenting dérive from optical navigation to algorithms of locating – an essay against the grain of Western patterns of referencing and situating. From a film made with lenses and ensitive celluloid to the desktop locating engine, we will navigate from the material production of Fresnel lenses to the invention of global navigation satellite systems (GNSS) – the tool that announces the obsolescence of the lighthouse.
Two filmmakers and three representatives travel across Quebec and harvest collective desire at its source: cafes, parks, community events, Aboriginal communities, street corner discussions, etc.
Centenarian Cleoniki lives in the mountains of Evrytania, singing and narrating stories from the past. Kostas and Giorgos, two of her eight children, live with her. Everyone is awaiting the “Sotiros” (Savior’s) traditional feast, when the little village teems with life once again.
In the City of Angels, despair and heartache are the daily mail -- delivered with painful regularity whether we want them or not. Through I AM, we join an eclectic cast as they try to untangle themselves from the web of sin. All along the way, they are each joined by a mysterious companion -- ever present with a loving guidance without judgment for their actions. The more they attempt to fix their lives, the deeper they sink into chaos, pain, and loss. In addition, we discover that sin is a matrix connecting even the most remote of strangers to one another. It is at this breaking point when we see the presence of this companion was no accident. He was the ever-loving constant who refused to abandon His people -- even when they abandoned Him.
Twenty-two-year-old Oleg doesn’t live up to his mother Marina’s idea of a real man. She thinks he’s an autistic loafer. He’s enrolled at the University of Nizhny Novgorod and is supposed to be watching online lectures, but his mother says all he actually does is hang around watching TV. Oleg doesn’t have any need for friendships, either. Marina wants him to improve his life and subjects him to a series of unconventional treatments. In one particularly uncomfortable scene, we see the therapist riding him as if he were a horse. Another psychiatrist tells Oleg how useless he is and that he will always be alone. Strangely enough the camera seems to be welcome everywhere, and it closely follows these dramatic developments.