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For years he has stayed behind closed doors without leaving his home, uttering nothing to anyone. The desire to communicate and the energy to act have completely vanished, and the opportunity to change is dim and distant. This is an attempt by the filmmaker to reappraise the relationship between himself and the world through external observation and self-reflection.
Tea or electricity tells the epic story of the implementation of electricity in a tiny isolated village enclosed in the middle of the Moroccan High Atlas.Over more than three years and season after season, the director patiently reveals the outlines of the net that will inevitably end up closing on the people of Morocco. Before our eyes is draft the image of the merciless modernity that the small village will now be connected to.
Sasha is an eight-year-old boy who lives in Ukraine with his mum and five siblings. Their everyday life is involved in misery, poverty and even further complicated by the current war in the country. Sasha leaves Ukraine in order to live during a summer with a Catalan' family in Catalunya. What he will find out, who he will meet, how he will be affected and how he will live are questions that will arise all throughout the film
Icon of Jesus is marched through town in the days leading up to Easter.
This film came into being on a farm in the village of Hakushu, Min Tanaka's home. Min Tanaka is a very distinctive personality of Japanese alternative theatre in which the mind questions the tongue and so the body becomes the tongue. Min Tanaka's dance is able to speak even to those who know nothing about Japan and Japanese art. Perhaps it is because, on their road to discovery, Min and his dancers probe deep down to the roots of the culture of all peoples, to the time when we were not yet Europeans and they were not Japanese.
A heartfelt, unfiltered portrait of love, grief, and trans joy - told through letters written to a boy named Wes.
Ary Zara lives in limbo trying to understand who he really is. Refusing the gender binary categories that society imposes, at the age of 28 he decides to explore his identity by facing a physical and emotional transformation. A three-year journey revealing what is on the other side of the mirror through the courage, doubt and freedom of a deeply intimate process of self-discovery.
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.
Chronicles the relentless fight of three families—Gary and Julie DeVercelly, Linda and Eric Oakes, and TJ and Kim Burch—who turned their personal tragedies into a nationwide movement for change. After losing their sons to fraternity hazing, the families found themselves up against a deeply entrenched system that thrived on secrecy, denial, and silence. Refusing to accept that their children died in vain, they joined forces and waged a years-long battle to expose the dangers of hazing, challenge university and fraternity accountability, and push for sweeping legislative reform.
The story of a National Park guard who undertook a difficult experiment - the return of lynxes to the wild. Miloš Majda is a ranger in the Malá Fatra National Park. For more than thirty years, the forest has been his second home. A few years ago, Miloš tried a very interesting experiment. He took a lynx cub from the zoo, undertook to raise it and return it to the wild. He managed to overcome the initial problems, when the cub, separated from its mother, refused to take food and fell ill. However, the little lynx soon turned out to be a real lively devil. After a while, the situation repeats itself and the camera of documentarian Tomáš Hulík is also present. In the main role is a couple of young lynxes - Líza and Muro, who are waiting for a difficult pilgrimage, at the end of which is freedom.