The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.

Dutch filmmaker Willy Lindwer and Russian author David Gurevich document the aftermath of the June 1, 2001 suicide bombing of Tel Aviv's Dolphinarium Disco, which killed 21 and wounded 105, many of them teenagers and many recent immigrants from post-Soviet Union states. The bulk of the film consists of the interviews with survivors and the victims' parents, all shot around the Tel Aviv area, including the location outside the Dolphinarium proper. It also makes extensive use of the footage of the night of the disaster and the home videos left behind by the victims.

In the city of Mosconi, in northern Argentina, the handing over of oil exploitation to multinational companies in the 1990s disrupted the way of life of its inhabitants. The first roadblocks and the formation of the Union of Unemployed Workers arose. This movement was spreading as part of the resistance of an entire town against the high unemployment rate, the lamentable working conditions and the pollution of the environment.

At 19, Antonio fled his Portuguese farm family for life on the other side of the globe. Five decades later, his decision still leaves an irrevocably sour taste.

A British expedition's successful attempt to climb the Trango Tower in the Karakorum Range of the Himalaya's in 1976. The climber Martin Boysen relates the events of the team's first failed attempt to ascend the Tower in 1975. This is followed by footage filmed on the 1976 expedition and the climbers, Martin Boysen, Joe Brown, Mo Anthoine and Malcolm Howells, narrate their experience of the 1976 attempt. The team is seen arriving in the region, hiring porters and trekking over hazardous terrain to reach their base camp. The first attempt to climb the Tower on this occasion is thwarted by bad weather, but the climbers return a few days later to make a successful attempt on the summit.

Robert Llewellyn examines the enduring appeal of submarine movies, finding a beached Cold War Russian nuclear sub on the Medway and WWII German U-boat pens on the French coast.

Human bodies do not disappear. They were kidnapped, buried, torn to pieces. But they are also searched, recovered, and, when forensics achieves the improbable, rebuilt as people. They can only return home when they are identified as dead. An audiovisual journey through the landscapes of an overwhelmed Mexico, between graves and fragments, family and forensic. In search of the human that persists, despite everything.

A poetic investigation into the possibilities of cinema, recovering the truth of the things that are see on the screen and reminding viewers of the persuasive power of the image, that sensitive magma where the dead dance and find their voices again.

The birth of a new era in the first years of perestroika with its enthusiasm for clairvoyance and the dying practice of shooting on film are both contained within a single minute of screen time, during which a mnemonist ‘recalls’ an infinitely large number displayed on a board behind him.

One green spot on a map, in an age of high land prices, high temperatures, and hungry deer.