One green spot on a map, in an age of high land prices, high temperatures, and hungry deer.

Documentary addressing the difficulties that arose in the city of Nuevitas (Camagüey) between 1964 and 1967, due to the industrial development promoted in the territory, which led to an unexpected population growth in just a few months.

The artist records everyday activities in the streets and alleys around the Main and Hasting Street intersection. On the right, the view is from a fixed camera positioned on top of a dashboard in a moving car. On the left, he walks with a handheld camera with a wide angle lens. Along the way he encounters a street artist, engages with two women in Pigeon Park, crack users, dealers and homeless people.

This piece consists of two parts, a documentary and a short film. It is a realistic depiction of some girls aiming for their dream to become actresses! The documentary part starts with five girls who want to become actresses taking part in a "Make a movie" project under director Yu Katsumata. This is a real record of the days from the start of lesson until the announcement of the cast. The second half then contains the short film "We don't wanna", as five high school girls who don't want to grow up face anxious days, paths, love, dreams and the future... With all of this in their hearts, the five of them, head off on a "We don't wanna grow up tour". They take a slow train, headed for "paradise". It's only a one day trip, but becomes their battle diary road movie.

An intimate behind-the-scenes look at the making of Sam Mendes’ “Jarhead,” featuring Jake Gyllenhaal and Jaime Foxx.

Young women imagine themselves as a river: what starts off as a poetic metaphor is linked to images of landscape and becomes a many-voiced narration, radically morphing into a political statement. The Kazakh woman, she prefers life without man.

Aram is the pseudonym of Arkadiusz Rybicki, politician, social activist, MP. On April 10, 2010, he died in Smolensk, on his way to the 70th anniversary of the Katyn massacre. He was 57 at the time. 40 years earlier, in the Gdańsk Shipyard, he made the inscription "We will not forget Katyn". Already at the age of seventeen, he started opposition activities. From 1979 he was associated with the Young Poland Movement, he edited the "Bratniak" magazine. In August 1980, he collaborated with the striking workers of the Coast, wrote down 21 demands of the Inter-Enterprise Strike Committee. After that memorable August, he became involved in the activities of the Solidarity Trade Union. He was interned during martial law. In the second half of the 1980s, he started working in the secretariat of Lech Wałęsa, in the late 1990s he became deputy minister of culture, and then a member of the Sejm on behalf of the Civic Platform.

A portrait of the Austrian avant-garde artist Otto Mühl/Muehl (1925-2013), whose work combined sex, violence, gastronomy and bodily effluence with unbridled abandon.

A documentary about young Brazilians serving in the paratrooper brigade in Rio de Janeiro.

73.5% of Punjab's youth is addicted to drugs. A multi-million drug nexus is operating under the noses of the Border Security Force, The Directorate of Revenue Intelligence, The Narcotics Control Bureau and the Intelligence Bureau, leaving them as mere bystanders to Punjab's erosion. The yearly consumption of alcohol in Punjab makes the city's population one of the highest per capita consumers of alcohol in the world! The scenario in Punjab is deteriorating at such a rapid rate that experts have already begun to put an expiry date to the state.

Lyrical video letter by Robert Kramer to his friend Paul McIsaac captured during the editing of “Route One/USA”.

This video essay explores the gender dynamics behind the acts of looking and being-looked-at in Black Narcissus (Michael Powell and Emeric Pressburger, 1947).

"Seasonal farm worker families talk about their "seasonal life" in the fertile land of Çukurova, Adana."

Ignacy Szczepanski's documentary is a record of a lesson in jazz improvisation given to Polish trumpeter Piotr Bal by an accomplished musician and dean of the jazz faculty at Roosevelt University in Chicago. The rehearsals are complemented by shots of the city and fragments of a concert filmed at the Pink Crocodile Club.